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A leading French Post-Impressionist, Paul Cezanne bridged the way from 19th century Impressionism to a revolutionary new world of 20th century Cubism. Both Matisse and Picasso are quoted saying Cezanne was “the father of us all.” Although his radical departures were underappreciated and even ridiculed in his time, Cezenne’s studies of visual perception, geometric simplification, and experimentation with complex fractured forms kept his style changing significantly over his lifetime. Cezanne was an eccentric, solitary enigma, often working in isolation, removed even from his own family. |

Bridge Over Ther Marne at Creteil, 1888 |

In the Park at Chateau Noir, 1898-1900 |

Blue Landscape, 1904-1906 |

La Montagne St. Victoire |

A Kitchen Table, Pots and Bottles, 1902-1906 |

The Five Bathers, 1875-77 |

The Mont Sainte-Victoire, Seen from Lauves, 1905 |

Madame Cezanne in a Red Dress, 1888-1890 |

Apples and Oranges |

Big Trees |

The Bay of L'Estaque, 1878-1882 |

Female Nude (Leda?), 1885-1887 |

The Cottage of M. Jourdan, 1906 |

Landscape |

The Blue Vase, 1885-87 |

Montagne Sainte-Victoire from Lauves, 1904-06 |

Woman with a Coffee Pot, circa 1890-95 |

The House at Bellevue, 1888-92 |

Still Life with Apples |

The Three Bathers, circa 1879-82 |

Jas De Bouffan, 1885-87 |

View of Mount Mareseilleveyre and the Isle of Maire, circa 1882-85 |

Green Apples, Around 1873 |

Maison Maria |

Still Life with a Chest of Drawers, 1883-87 |

Bathsheba, c.1880 |

Maison Au Toit Rouge-House with a Red Roof, 1887-90 |
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