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Although his work was originally scorned, the founder of the Neo-Impressionist movement of the late 19th century, Georges Seurat (1859-1891) is considered one of France’s great master artists. Creating a groundbreaking but incredibly time intensive style called Pointillism, Seurat rejected broad brushstrokes of mixed color, substituting tiny points of pure color which the observer’s eye blended in to images. Utilizing elaborate, scientifically devised linear structures and geometric order, Seurat’s style is somewhat akin to that of Rembrandt in his experimentation with color theories and linear structures. After Seurat’s art was rejected by the Salon, he joined with other artists to found the Society for Independent Artists to exhibit their works. |

Circus |

Sunday Afternoon on the Island of La Grande Jatte |

Bathers at Asnieres |

River Landscape with a Boat |

Harbour at Port-En-Bessin at High Tide, 1888 |

Morning Stroll |

Seine at Grande Jatte |

The Eiffel Tower, 1889 |

Beach at Bas Butin, Honfleur, 1886 |

La Maria at Honfleur, 1886 |

Entrance to the Harbor, 1888 |

The Harbour and the Quays at Port-En-Bessin, 1888 |

The Rainbow |

Nude, 1881-2 |

Back View of Nude, 1886 |

Woman in Black |

The Stone Breaker, c.1882 |

The Bridge of Courbevoie |

Circus Sideshow, 1887 |

Le Crotoy, Aval |

Farm Women at Work |

Landscape in the Ile-De-France, 1881-82 |

Model from the Front, 1886-7 |

Pushing in the Poles, circa 1882 |

Honfleur Harbour Entrance |

The Painter Aman-Jean As a Clown |

Model in Profile, 1886 |

The Models, 1888 |

La Promeneuse au Manchon |

The Stone Heap |
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