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The bodily distortions, explicit eroticism and anguish which made Egon Schiele’s artworks unpopular during his lifetime are the same features which make them so mesmerizing today. Schiele (1890 – 1918) was an exceptionally prolific Austrian Expressionist who was a protégé of Gustav Klimt, and whose formidable talents were fully matured when he was a teenager. He created emotionally charged self-portraits and allegories, but was best-known for his nude or semi-nude drawings of women, portraying them in awkwardly contracted poses to convey distress. Arrested for immorality and seduction, he created numerous watercolors and drawings during his two-week imprisonment. Dying prematurely from the Spanish flu, Schiele left a legacy of almost 3,500 compelling artworks. |

Four Trees, 1917 |

The Artist's Wife |

Yellow City, 1914 |

Nu Assis, 1910 |

House with Drying Laundry, 1917 |

Standing Girl in Blue Dress and Green Stockings, 1913 |

Boats Mirrored in the Water, 1908 |

Freundschaft, 1912 |

Sunflowers, 1911 |

Act Against Coloured Material, 1911 |

Case Sul Fiume |

Standing Female Nude, 1912 |
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